Over the past year or so, stories of blatant plagiarism have become a common piece of conversation in Zimbabwean social media circles. Local bloggers have been victims to what they claim outright theft of their journalistic and creative works, with the mainstream media being the main culprit.
Techzim for instance, has discovered volumes of its articles republished without permission nor attribution on The Manica Post and The Chronicle. In some cases, new media publishers have also been in the mix and recently, Techzim also discovered an original photo cropped, resized and reused – all without permission or attribution – by New Zimbabwe, a UK based news publisher.
In the case of New Zimbabwe, the photo was cropped to remove the Techzim watermark seal that says “this is Techzim’s intellectual property” which in our eyes translates to mischievous theft.
This sort of nonsense was also observed from The Herald Sport when they cropped, edited and re-published a photo belonging to Schools Sports Network (ssn.co.zw), another new media publisher focusing on schools sports.
Both the Techzim and SSN issues were eventually resolved with an apology but because blatant plagiarism is still happening locally and appears increasingly frequent, it is clear there’s a huge ethics and culture rift between legacy media and new media.
Just recently, Pindula.co.zw discovered its well-researched article titled “13 Actors Flying Zimbabwe’s Flag High” in The Herald Entertainment. On lodging a complaint to The Herald, they were told that The Herald Entertainment had done nothing wrong as they had attributed the article to Pindula.com.
This is not true. The footer of the Sunday Mail article had Toppindula.com instead of top.pindula.co.zw as the source. On the web version of the article on the Sunday Mail did not have a supporting link to the original source. This meant that readers could not visit the original source of the article because there was no link and the “attribution text” was done wrong.
This sort of sloppiness only shows that The Herald Entertainment only cares about grabbing great content. Crediting the source property is not priority.
The irony of all this, especially when old media is concerned, is they have for decades used material from news agencies like Reuters, freelance journalists and freelance photographers. They have done a fairly good job in crediting the sources and paying accordingly, but all changes when it comes to internet bloggers.
Fungai Machirori, founder of Her Zimbabwe thinks it’s a culture clash where on the one hand old media thinks they are doing bloggers a favour by giving them an audience, and on the other hand, bloggers rightly see themselves as alternative media directly competing with incumbent media companies like The Herald.
“It also seems like an undermining of what is called citizen journalism or blogging in Zimbabwe. There seems to be this clear division between who can be called a journalist.
A journalist works in a newsroom for a news media organisation and if you are doing your blogging or citizen journalism, people don’t see that we the same level of prestige or they don’t honour it in the same way. So I think it’s an issue of perception of the local citizen journalist space were if you would not do that to AFP or Reuters, why would you do that to a local person?” She said.
The Fix
Permission, permission, permission. Media companies need to respect the original creator and seek permission first.
“If you want to edit something, ask. I want to republish something, can I edit something and tailor it to this and that”, said Machirori.
Fungai Machirori also recommends that media houses first give the original content creator enough time to for its traffic cycle.
“A lot of the time what you’ll find is people will take content which has been posted 12 hours ago. You need at least 3 days for a content cycle to go through from the initial burst and the people who come on 3 days after. Then after 3 days, I think it’s only courteous for you to say can I republish this content and maybe give it new life on your platform”. She said.
If all ethics, courtesy and being human fails, Fungai says publishers can approach the Voluntary Media Council of Zimbabwe and file a complaint against the plagiariser. However, because the Media Council is voluntary, there is no real punishment for the offender.
“What we are starting to hear more people agitate for is payment. Payment is almost the only way that you’ll get the media to really understand that you can’t abuse content and get away with it through an apology in tomorrow’s paper.” Said Fungai Machirori.
Plagiarism has been topical in the new media circles in Zimbabwe. Techzim, TBWA Zimbabwe and AMH will be host a new media focused conference called Digital Future to help bring conversation on how media has evolved under the influence of the internet and to explore best practice both in terms of business models and content protection.
Digital Future will be held on the 17th and 18th of March 2015 at Cresta Lodge, Sango Conference Centre in Harare.
image credit: Savannah State Unversity Library
6 comments
It sucks. There seems to be a belief that if its online, its fair game. A little while back, a friend ( http://www.facebook.com/highontalent ) kept getting her photos ripped off by the herald’s sports section with no credit being given and no permissions asked. It got a bit better after she rallied support on her page and direct complaints started piling up (commenting directly on articles was futile because censorship). Dealing with them gives you the sense that they just don’t give a damn. It’s like the only options you’ll be left with are defacing your work with large watermarks, putting it behind access controlled accounts or just not posting it at all.
I am not very sure if a post on Facebook can be classified as an intellectual property of anyone. Its more of public information unless one is a registered media House.
Actually, your intellectual property remains yours even on Facebook. What happens is when you agree to the terms and conditions and post original content of your creation, you grant FACEBOOK a sub licence that only expires when you delete said content. So even though you give Facebook almost equal control to do whatever as long as your post is up and public, you still have the ultimate rights to your content (within the legal limits allowed by your local jurisdiction, that’s where things get tricky).
I seriously saw this article coming Tendai. Esp after William’s frustration expressed yesterday. Definitely justified. Herald had no right to plagiarize pindula.co.zw’s efforts. as if that wasnt enough, they mis-spell it as .com instead of .co.zw. not sure if that was intentional. But fact is, we seem to have a long way to go till we honor intellectual property.
This is rich coming from TechZim: when was the last time you sought permission to reproduce an image? From the article, it is clear you know the difference between giving attribution and getting permission before reproduction.
To TZ’s credit – you give attribution, but I do you take time to 1. find out who the rights-holder is 2. ask for permission before *[1]reproducing? Just because a picture appears on top-tech-news.com doesn’t mean they own the rights to it (and TZ more than likely gave the wrong attribution on more than one occasion).
I’m not a big fan of imaginary property – but those who live in glass houses &tc.
1: See my comment & LSM’s response on this TZ article, for an example: http://www.techzim.co.zw/2014/02/blurred-lines-ideas-versus-expressions-copyright-law-startups/
I think attributing is very important and paramount. Explicit permission to repost an article or image may be pushing it let alone waiting for 3 days. So what do you do with breaking news of a bombing that you read on CNN or BBC if you dont have a correspondent in that country?? Do you wait for 3 days when it becomes stale or do you re-post and then correctly mention the source of the news. I think Fungai must re-think the 3 day waiting period. Anyway, i doubt Techzim gets explicit permission when they use other sites images